
For the first time in six years, Barbara Morgenstern, pioneer of German-style electronic intimate pop, works on a new album. Her laptop sits on a shoebox, in the privacy of her home she finds first lines and harmonies: “I like to be alone,” one song begins. One by one, musicians join her. Intuitive ideas take shape. A window has opened. Arrangements, rehearsals, recordings follow. Step by step, the music enters public space, images are produced, videos, narratives. Questions arise: New beginning or back to the roots? New Biedermeier or tough political comment? The bigger the band, the riskier the booking. The more crisis-ridden the environment, the more comforting the music-making.
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The Wrecking Crew

My Mom Jayne

Happier Than Ever: A Love Letter to Los Angeles

Our Planet: Behind the Scenes

The Bee Gees: How Can You Mend a Broken Heart

Stop Making Sense

Justin Bieber's Believe

Naqoyqatsi

Avicii: True Stories

Kurt Cobain: About a Son

Being James Bond

Maria by Callas

Katy Perry: Part of Me

Adele One Night Only

OLIVIA RODRIGO: driving home 2 u (a SOUR film)

Let It Be

This Is It

Piece by Piece

I Am Heath Ledger