This composite film has been edited by Carles Guerra out of five reels shot by Tosquelles between 1953 and 1967 and preserved by his son up until very recently. The absence of sound has been filled in with intertitles that provide clues that help us recreate who might be filmed, where and when. These are images that in spite of their muted character reveal the extraordinary network that constituted the bulk of institutional psychotherapy in the French Postwar period, including figures like Frantz Fanon, George Daumézon and Jean Oury.
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