
Paul Wendkos was a bit of an auteurist fetish object in the early 1960's, when his career in theatrical features reached its pinnacle. He made his mark with such genre outings as The Burglar (1957) and Face of a Fugitive (1959), as well as with the hit Gidget (1959) and his acclaimed indictment of evangelicalism Angel Baby (1961). Many of the finest critics and film writers wrote of his style admiringly, even as studio contracts regularly saddled him with empty commercial vehicles. Quentin Tarantino even credited him as the director of the faux action saga The 14 Fists of McCluskey in his Once Upon a Time...in Hollywood. What is there to Paul Wendkos when we look at him and his work today?
Recommendations
view all
Harry Dean Stanton: Partly Fiction

Directed by John Ford

Seduced and Abandoned

Halloween: 25 Years of Terror

John Candy: I Like Me

The Class of ‘92

Love, Gilda

Untold: Jake Paul the Problem Child

Charlie: The Life and Art of Charles Chaplin

Sidney

Living with Chucky

I Am Heath Ledger

Champs

Marvel Studios Assembled: The Making of Hawkeye

Mea Maxima Culpa: Silence in the House of God

Lucy and Desi

Gilbert

Spider-Man: All Roads Lead to No Way Home

A Decade Under the Influence

Don't F*#% With John Wick

