
A critical hit during one of China’s most politically charged periods, Zheng’s follow-up to his 1959 anniversary epics merged Soviet-style socialist realism with his own breakthroughs in film technique, specifically his use of continuous camera movement in the spirit of traditional Chinese scrolls. Tractor-kino at its finest, the film revolves around two rural lovers—one struck with a deadly disease—and their eventual survival thanks to socialist medical advances.
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So Long, My Son

One Second

Dwelling in the Fuchun Mountains

The Safety of Objects

Buddha Mountain

Hungry Hearts

Mindwalk

Caught by the Tides

The Boys from Fengkuei

Bastard Out of Carolina

Xiu Xiu: The Sent-Down Girl

Lighting Up the Stars

Hands of Stone

Three Christs

American Dreams in China

Tigertail

El Chicano

The River

Nothing Personal

Helen














