Scintillating Flesh
6m
In a dark room holding a flashlight in my hand, I paint with light. Each stroke of light unveils an image and permits it to spill over to the adjacent film frames, thus breaking out of its rectangular prison while at the same time being woven into the fluidity of moving body, the whiteness of light, and the redness of flesh. Using the photogram technique and my body as a tool and a means to inscribe myself into this film, “Scintillating Flesh” is a self-inscription, where the filmmaker is not so much its subject but becomes its form.
Recommendations
view all
Lucky Them

The Safety of Objects

Cameraperson

Love, Marilyn

Call Me Crazy: A Five Film

Harry Dean Stanton: Partly Fiction

The Cutting Edge: The Magic of Movie Editing

To Be Takei

My Brilliant Career

Lions Love

Strange Weather

The Trials of Cate McCall

Iron Jawed Angels

The Girl in the Book

A Dry White Season

Making 'The Shining'

Love, Gilda

Sky

Heart of a Dog

Introducing Dorothy Dandridge