
Late 70s, downtown NYC, bar scene. Fara, the bar keeper’s young wife, falls in love with her beautiful step son, Po, just back from California. Early 80s, a filmmaker goes back to the witnesses and players, who tell the story of the tragedy. It’s Phaedra and Hippolytus, shot in a cool-tempered No Wave style.
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Peter Ibbetson

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Home by Spring

I Can't Think Straight

The Secret: Dare to Dream

I Believe

Roll Bounce

The Last Song

Step Up All In

Blood and Sand





