
On 6 March 1906, four men were executed for the attempted murder of Colombian president Rafael Reyes. The event was photographed, and the photos were later used for a fictionalised film on the failed coup. From then on, cinema in this South American country has been inextricably linked to its violent history. Moving images have been used for historiography, propaganda, disinformation and to instil unity in a nation that refuses to come together. Falsos positivos, murdered youths disguised as guerrillas by the army to simulate military success, are a common element.
Crew

Federico Atehortúa Arteaga
Director, Writer, Editor
Jerónimo Atehortúa Arteaga
Writer, Producer
Verónica Balduzzi
Writer
Sonia Ariza
Writer
Alejandro Avelino
Director of Photography
Mauricio Reyes Serrano
Director of Photography
Nicolás Pinzón
Colorist

Simón Vélez
Production Design
Diana Martínez Muñoz
Sound Editor
Jose Delgadillo Gaviria
Sound Mixer
Carlos Eduardo Quebrada Vásquez
Music
Recommendations
view all
The Apocalypse of St John

Making Waves: The Art of Cinematic Sound

Visions of Light

The Untold History Of The United States

The Cutting Edge: The Magic of Movie Editing

The War on Democracy

Fuck

Room 237

As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty

Banking on Bitcoin

Ronaldo

The Mystery of D.B. Cooper

Naqoyqatsi

Seduced and Abandoned

The Celluloid Closet

The Godfather Family: A Look Inside

The War Room

A Plastic Ocean

The Director and the Jedi

Nail Bomber: Manhunt