
The film deals with the migration from the village to the city with a realistic narrative. The immigration phenomenon described in workers' hands in a factory refers to both the modernization process in the period and the unionization. Hacer emigrates to Istanbul with his father, two children and his wife. Her husband left her and she was a helpless. Hacer was influenced by the union of the working factory, who owns the crippled friends. Hacer thought very much about to traditions versus modernization. It is the last of the film of director Ömer Lütfi Akad's Bridal-Wedding-Recoup trilogy. And it is still the inaccessible film of Turkish cinema history with its movie theme, cast, and acting success.
Cast
Crew
Recommendations
view all
I Do, I Do, I Do

The Wedding March

Elevator Girl

The Hunchback

Emma

The Magic of Ordinary Days

Home by Spring

Disappearing Acts

Petals on the Wind

Girl in the Box

Barbarians at the Gate

A Valentine's Match

Matching Hearts

Iron Jawed Angels

Red Nose Day Actually

Lovestruck: The Musical

Northanger Abbey

TalhotBlond

A Christmas Kiss

Starving in Suburbia















