
During the 1960s, artist Eric Olson embarked on a series of works under the title Optochromi. The vast majority of these were plexiglass objects: most were sculptures although a few are formally closer to paintings. From a cinematic point of view one could describe the Optochromi sculptures as metaphysical colour animations frozen in time – so much so that modern composer Jan Wilhelm Morthenson made his film Interferences (1966), a tribute to 1920s abstraction à la Richter, with the use of Olson’s works. Gösta Werner did something similar five years earlier with Levande färg – only that he mainly circles the sculptures, and contemplates them more than he interacts with them. A respectfully curious distance is always kept.
Cast
Recommendations
view all
LA Originals

Naqoyqatsi

The Class of ‘92

Chadwick Boseman: A Tribute for a King

Wormwood

Public Speaking

Avatar: The Deep Dive - A Special Edition of 20/20

Directed by John Ford

Halloween: 25 Years of Terror

Evil Influencer: The Jodi Hildebrandt Story

Making "The Matrix"

Seduced and Abandoned

Chronos

Struggle: The Life and Lost Art of Szukalski

The Curious Birth of Benjamin Button

Listen to Me Marlon

Leap of Faith: William Friedkin on The Exorcist

Extremis

Report

Terms and Conditions May Apply
